Okay, there are the bad guys and the Bad Boys, two completely different
parties in this film. The Bad Boys are Miami Narcotics Detectives
Mike Lowrey (Will Smith) and Marcus Burnett (Martin Lawrence). They
have to protect a beautiful material witness (Tia Leoni) from the
bad guys. This is a great film which strikes the right balance of
action and comedy.
As you'd expect from a film with Smith and Lawrence, there are
many funny scenes in Bad Boys. The two actors work well together
to produce comedy not only in what they say, but also in what they
do. In fact, the audience was laughing so much at one funny line
that I kept missing the two or three that followed.
However, Bad Boys is essentially an action film. Smith and Lawrence
take care of the comedy, but Michael Bay gets most of the credit
for the success of the action scenes. Sure, they wouldn't have been
as exciting without two good actors, but the direction adds an altogether
new dimension to them. You get caught up in the action; it's of such
quality that you become part of it.
The comedy complements the action in an extraordinary way. Very
rarely in an action film does comedy fit in so well. In 1995, True
Lies attempted at combining the two in large amounts. The result
was not nearly as entertaining as Bad Boys.
Watch the two films and you'll notice that action and comedy merge
more pleasantly in Bad Boys. Tcheky Karyo plays the main bad guy.
You might remember him as Bob from La Femme Nikita. He doesn't have
as big a part in this film, so he can't show how great an actor he
is. His accent adds to his menacing image, though.
Visually, the movie gives us a Miami filled with midnight glitz,
shot with the flair of a fashion photographer - backlit monochrome
tilt shots and all. It has relentless editing, slick action sequences,
and blows up stuff real good.
I was pleased to hear lots of songs that require beaucoup de bass.
A theater with a powerful sound system is essential to getting the
total experience of this film.
This isn't usually very evident in a movie, but in Bad Boys the
choice of automobiles is great. Smith drives a black Porsche 911
Turbo , which is in many of the scenes. Michael Bay makes excellent
shot selections that show off the car right from the beginning. It's
cool how what a character drives can to some degree affect the nature
of a film.
Production Notes
"Bad Boys" went into production on June 27, 1994, at the
Dade Tire company near downtown Miami. "Miami resonates with
spicy and seductive themes," says Simpson. "It's got a
unique feel that was perfect for what we wanted in this film." Adds
Bruckheimer: "It's a clean, beautiful city that also happens
to be film friendly. We were going for a variety of looks with this
film, particularly a more retro-funk feel, not like the slick Miami
we've seen in other films."
The company moved out to the art deco district of South Beach where
onlookers were treated to a movie shoot-out on the terrace of the
Tides Hotel right across from the beach. "Bad Boys" moved
throughout the city, shooting at historic buildings, sound stages,
a multi-million dollar estate on a private island and the majestic
Mediterranean Biltmore Hotel. The filmmakers converted a freighter
on the Miami River into a drug lab, and made use of the Dade County
Courthouse and a bridge under construction at the Port of Miami.
Many of the locations where revamped or enhanced by a team of people
working under production designer John Vallone. The second floor
of the historic Dupont building in downtown Miami was transformed
into a busy police station with wood-framed glass partitions separating
private offices from the much-decorated main squad room. Filmmakers
used the building's large, antique stainless steel vault as the entrance
to the evidence room. The tarmac of the Opa-Locka Airport was the
perfect site for the film's explosive finale. Pyrotechnics expert
Mike Meinardus ("Speed") staged the huge explosion of a
727 inside the rusty, old blimp hangar at the Opa-Locka on the last
day of filming.
Production wrapped on August 31 in Miami, Florida.
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